Dimmu Borgir is a melodic black metal band hailing from Norway. Shagrath, Silenoz and Tjodalv initiated the band in 1993. Shortly after, Brynjard Tristan joined to play bass, and Stian Aarstad joined for keyboard duties. Dimmu Borgir was born. They are a band which success is measured with such bands as Emperor, Kreator and Cradle of Filth. I will without a doubt say that Dimmu Borgir is the best black metal band in the world today (webmaster's comment).
Haunting keyboard melodies, aggressive guitar work, destructive drums, grim/raw vocals and a touch of melodic/operatic vocals characterize Dimmu Borgir's sound. They are musically inspired by 80's black metal and heavy metal. Classic composers, like Wagner and Dvorak, also inspire them.
Dimmu Borgir began their career by releasing a 7" EP entitled "Inn I Evighetens Morke" ("Into the Eternity of Darkness") on Necromantic Gallery Productions in 1994. It sold out within a few weeks, marking the start of a successful and magnificent band. Dimmu Borgir existed in the black metal scene for quite some time but did not get the recognition they deserved until late 1994, when they released their debut full length album "For All Tid"--a slow, dark and atmospheric recording--on No Colour Records. The album features contributions by Aldrahn from Dødheimsgard and Vicotnik from Ved Buens Ende. The lineup on their debut album was: Shagrath - Drums & Vocals (Guitar on track 5), Erkekjetter Silenoz - Guitar & Vocals, Tjodalv - Guitar, Brynjard Tristan - Bass, Stian Aarstad - Synthesizers, Piano & Effects.
In 1996 they released one of the most important albums in black metal history, "Stormblåst", on a new label, Cacophonous records. During that time period, this album showed that Dimmu Borgir was one of the better melodic black metal bands. They took a big step forwards, towards the distinctive sound in which Dimmu Borgir is known for today. Mature song writing, with good variance of tempos, a strong classical influence and one of the best black metal sounds out there. "Stormblåst" showed an increase in speed, yet maintained the melody and atmosphere. Lineup on this recording was: Shagrath - Lead Guitar & Vocals, Erkekjetter Silenoz - Rhythm Guitar & Vocals, Tjodalv - Drum & Percussion, Brynjard Tristan - Bass Guitar, Stian Aarstad - Synthesizers & Piano.
For the first two full lengths, Dimmu Borgir wrote their lyrics in Norwegian, however after the release of "Stormblåst", they changed the lyrics into English. The main reason was that the majority of the audience did not understand the lyrics and so Dimmu Borgir wanted use a popular language to communicate their message--to reach a broader audience.
After "Stormblåst", Dimmu Borgir released the "Devil's Path" MCD on Hot Records, in 1996. Shagrath actually worked in Hot records and he was responsible for the signing and promotion of bands. "Devil's Path" is a MCD with 4 songs, and includes a brilliant song entitled "Devil's Path", so it's worth purchasing this release to complete your Dimmu Borgir discography. For the MCD, Nagash, who at that time was in Troll and The Kovenant (previously called Covenant) was recruited to replace Tristan on bass. Stian Aarstad did not perform keyboard duties on this album due to the fact that he had to take care of business regarding the Norwegian army. Line up on this recording was: Shagrath - Guitar, Vocals & Keyboard, Erkekjetter Silenoz - Guitar, Tjodalv - Drums, Nagash - Bass.
Euphoric
In 1997 Dimmu Borgir released their masterpiece "Enthrone Darkness Triumphant"--an engaging, powerful and moving recording. One of the most important black metal releases this century (webmaster's comment). "Enthrone…" marked a move to a bigger label, impeccable production (by the famous Peter Tagtren) and the success of 150,000+ in record sales. Due to these reasons, many have claimed that Dimmu Borgir have sold out. This is not true. The fact is that with this release they have made black metal available for a much broader audience and with their melodic-yet-still-aggressive sound, they became one of the biggest names in black metal. This was a great achievement, and being a hard working, dedicated and persistent band, Dimmu Borgir deserve their high status. "Enthrone…" was released on their new label, Nuclear Blast, after their old record label failed to give their best to promote Dimmu Borgir. If you are curious as to why the lyrics of "Tormentor of Christian Souls" are not include in the booklet is because Nuclear Blast did not want to be responsible for printing them! Line up on this recording was: Shagrath - Guitar & Vocals, Erkekjetter Silenoz - Guitar, Tjodalv - Drums, Nagash - Bass, Stian Aarstad - Synthesizers and piano.
After the recording of "Enthrone…" the band hired Astennu to play guitars during live performances, so Shagrath could fully concentrate on his vocals and stage performance. Astennu replaced Jens Petter who was a member for a short while between "Stormblåst" and "Enthrone…" Astennu is originally from Australia and came to Norway to record his solo project Carpe Tenebrum, which was previously called Lord Kaos. He then played guitar in The Kovenant and after a short time, became aware of his priorities, quit, and is presently a full-time member of Dimmu Borgir. After the "Enthrone…" tour, Dimmu Borgir had a mini-tour where Tjodalv left the band for a few months to be with his family and newborn child. His replacement was Aggressor, filling in as a session drummer, who is currently with Aura Noir. In the "Enthrone…" tour, Stian Aarstad had trouble participating in some of the performances and was fired from the band. Stian Aarstad has now joined the ranks of the Norwegian black metal band Enthral. His replacement was Kimberley Goss, who has previously worked with Therion, Ancient and currently, Sinergy. But after an incredibly brief stay with Dimmu Borgir, Kimberly Goss had to leave the band, due to the fact that she was a session member. Her replacement--on a very short notice--was Mustis, a young keyboard player from Norway and acquaintance of Shagrath since early 1998. He had his first live appearance with Dimmu Borgir at the Dynamo Open Air festival 1998. Mustis has not played in any significant bands previous to Dimmu Borgir, but he has added a new element to the band, and the new sound can be heard on "Spiritual…" Mustis had a heavy influence on this album, considering 60% of Dimmu Borgir songs are created on keyboard first.
A very nice surprise was the re-release of Dimmu Borgir's debut album, "For all Tid", on Nuclear Blast in 1998. This album contains all of the original material and includes two songs from their 7" EP "Inn I Evighetens Morke" ("Into the Eternity of Darkness"). In the same year, Dimmu Borgir released a MCD, "Godless Savage Garden", which is also on Nuclear Blast. The album contains 2 new songs, 2 re-releases, one cover and 3 live recordings. This release was only intended to be a "goodie" while the fans were waiting for the new album, "Spiritual…" This MCD was rated so good that it was nominated for "Spellemannsprisen", a Norwegian Grammy, in the metal category. "Godless…" was nominated together with albums from The Kovenant and Mundanus Imperium. The whole show was aired on Norwegian television and Dimmu Borgir played "Grotesquery Concealed" live, from the "Spiritual…" album. The performance was the only highlight of the entire show. Unfortunately Dimmu Borgir did not win the Grammy, but The Kovenant did, for their "Nexus Polaris" album.
The recording of "Spiritual Black Dimensions" once again took place in the infamous Abyss Studios with Peter Tagtren (Hypocrisy, Pain, The Abyss). Dimmu Borgir achieved an outstanding sound, complexly layered and powerfully enchanting. "Phantasmagoria" was the name of the song first performed live at 1998 Dynamo festival. Another song from "Spiritual..." was released on the Beauty in Darkness Vol.3 compilation, on Nuclear Blast, entitled "The Insight And The Catharsis", serving as a teaser before the albums official release.
Released officially on March 1, 1999, by Nuclear Blast, "Spiritual..." took the record stores by storm and proved once again that Dimmu Borgir are the kings of the dark throne. Prior to the release, many have been curious as to what direction the music would take. Those in doubt of Dimmu Borgir's dedication to extreme music were forced to face reality when "Spiritual…" proved to be their most complex and extreme album to date. After this recording Nagash decided to quit Dimmu Borgir to concentrate fully on The Kovenant. The temporary replacement, Simen Hestnaes (also known as I.C.S. Vortex) from Borknagar contributed to this recording with clean and operatic style vocals. He is also the session bassist on the "Spiritual…" tour 1999. In late 1999 Simen became (as I think everybody hoped for) the permanent replacement on bass and full member of Dimmu Borgir. The line up on this recording was: Shagrath - Vocals, Erkekjetter Silenoz - Guitar, Astennu - Lead Guitar, Tjodalv - Drums & Percussion, Nagash - Bass, Mustis - Synthesizers & Piano.
A month after the release of "Spiritual... ", Dimmu Borgir made a split album with Old Man's Child, titled "Sons of Satan Gather for Attack." Also in the same month Astennu released his side project, Carpe Tenebrum, entitled "Mirrored Hate painting". This project involved vocals from Nagash and contains similar elements as Dimmu Borgir, only faster. Both of these albums were released through Hammerheart Records, and more information is available at the following link: Hammerheart Records
In the early stages of the 1999 Dimmu Borgir tour, right after their crushing gigs in New Jersey and Montreal, Tjodalv decided to leave the band due to musical and personal differences. He has a family to take care of and cannot do the immense touring of Dimmu Borgir. Tjodalv's replacement should be familiar to everyone, it is none other than the godly Nick Barker, former Cradle Of Filth drummer. Nick has recently finished drumming duties with Borknagar on the North American "Kings of Terror Tour". Nick will release a new album with his side project "Lockup", the album is titled "Pleasure paves sewers". The album was recorded in Peter's Abyss Studio in Sweden and released 22.11.99 by Nuclear Blast.
Dimmu Borgir was about to start the recording of a new album in March 2000 the band was booked into Abyss studio with producer Peter Tagtgren to record the yet untitled new album in March and April 2000. This did not happend because they needed more time to finish the new material. They also have had some financial problems that restricted the rehersal time, because Nick still live in England and could not afford to come over to norway as often as he should have.
Further line-up changes took place during the writing period for their new album when the band fired guitarist Astennu due to various personal reasons. Astennu's replacement ended up being a man named Galder (Tom Rune Andersen) the "Mastermind of Old Mans Child" who is known for his brilliant guitar playing in Norwegian black metallers Old Man's Child.
With a firm line-up now intact Dimmu Borgir entered Sweden's Fredman Studio (At The Gates, In Flames, Dark Tranquillity) in Fall 2000 to record their highly anticipated new album, Puritanical Euphoric Misanthropia. Once again the band created a masterpiece in aggressive music with outstanding atmosphere and audibly evil songs. "Puritanical Euphoric Misanthropia" was not just another DIMMU BORGIR release that so many people are expecting to hear by any means. It possesses its own dark emotions and exciting creativity that only a band as experienced as DIMMU BORGIR can deliver leaving all other "top tiered" Black Metal bands flailing helplessly in their wake. The songwriting is at its highest peak making Puritanical Euphoric Misanthropia the band's strongest release to date (proven by such standout tracks as"Blessings Upon The Throne Of Tyranny", "Kings Of The Carnival Creation","The Mealstrom Mephisto" and "Architecture Of A Genocidal Nature").
As an added bonus, the band recorded various tracks with the Gothenburg symphonic orchestra yielding astonishing conclusions sure to turn heads. The end result is nothing short of perfection from the complex guitar work to the dynamic keyboard tinkering. Drummer Nick Barker blasts through the material with devastating force and fluidity while Hestnaes' bass rumbles supremely below as he adds intelligently lays down well-placed backing vocals for added enhancement. Vocalist Shagrath pushes himself to an underworldly level never sounding more sinister and ferocious. Puritanical Euphoric Misanthropia is not just another Dimmu Borgir release that so many people are expecting to hear by any means. It possesses its own dark emotions and exciting creativity that only a band as experienced as Dimmu Borgir can deliver leaving all other "top tiered" black metal bands flailing helplessly in their wake.
After being nominated for the third time, Dimmu Borgir have now won the Norwegian Grammy Award 2001, within the category "Metal" for their masterpiece "Puritanical Euphoric Misanthropia". Besides Dimmu Borgir also Emperor and Borknagar were nominated. A great moment in the history of the band, who wants to thank everybody who believed in them.
DIMMU BORGIR entered Studio Fredman in Gothenburg, Sweden for the second time on March 3 to begin tracking the drum parts for their forthcoming CD, "Death Cult Armageddon" was recorded and produced by Frederik Nordström. This time Dimmu Borgir was finished with the new song material befor entering the studio and they had all the new material ready and they also mastered their our own pre-production.
DIMMU BORGIR have managed to become the most prominent and important Melodic Black Metal act around the globe. With their new studio album "Death Cult Armageddon" DIMMU BORGIR reach an even higher level, climbing up the next step close to Baphomet's Throne. DIMMU BORGIR always stood for the orchestral side of Black Metal; classical arrangements have ever been a certain aspect in their unique sound. To give the songs an even more authentic feeling, the band recorded parts of the album along with the Philharmonic Orchestra Prague, which consisted of 46 professional musicians. This is feeling of majesty and power that makes the Norwegians special. "Death Cult Armageddon" is their most varied and therefore also most extreme album.
"Death Cult Armageddon" takes that high level and even goes one step further ahead. There is an incredible dark feeling about the whole album, which will capture every metallic soul. DIMMU BORGIR set a new standard for Black Metal with each of their record. This is the now and the future! Join the Deathcult!
Guitarist Silenoz had this to say: "The new DIMMU BORGIR album has been a hard and long fucking road to hell, and 'Death Cult Armageddon' is what we're bringing back. With that we're pleased to announce that this will be considered our most epic, majestic, somber, evil and grimmest release to date, containing absolutely everything we're known for — the never-ending presence of atmosphere, diversity and variety! In other words, it's huge! Darkness is once again upon us!"
Another notch in Dimmu Borgirs belt is the recording of their first ever promotional video for "Progenies Of The Great Apocalypse" to support the release of the new album "Death Cult Armageddon" this is an awesome piece of art and work and every metal fan should check it out, This video was also included in the DVD Audio release of the new album, this release also contains the album in excellent 5.1 surround multichannel sound mix and bonus songs.
The next chapter is in Dimmu Borgir history is about to take place as they hit the roads to give their brilliant piece of work to the thousands of loyal fans around the world, well.....people
"You wanted the best you got the best..... Dimmu Borgir!" show up and prepare to se another awesome show performed by the one and only Dimmu Borgir.
2 Behemoth
There had been a long hard road out of hell until the cursed day when the furious intensity of the Eastern beast, set up by Nergal, the main man behind the band , struck the world in mid 1991. Following the paths of the ancient heroes like VENOM, early FROST or first Norwegian black metal acts, Behemoth started their unearthly existence with a couple of raw and primitive rehearsal tapes ("Endless Damnation") and demos ("The Return of the northern moon"), the most significant of which was the second one - "From the pagan vastlands" (1993), showing the growing potential of the main composer/writer.
This tape was released by polish label Pagan Rec. and later on by infamous American Wild Rags which pressed this stuff on CD.
Signing with a minor Italian company Entropy rec. the band had the chance to record their debut release, a mini album entitled "And the forests dream eternally" (1994) followed by the full length with Polish underground label Pagan rec.
"Sventevith (storming near the Baltic)" gained extremely positive responses worldwide and eventually saw the band moving on to a new deal with German label Solistitium. Rec. That record established Behemoth as one of the very few black metal bands from mid-eastern Europe with enormous potential and its own, peculiar character. Consequently ,stepping forward, the band (as the three piece - Nergal, Baal, Les) recorded the second album "Grom". This has been probably the most controversial release so far, due to its many different influences, using female vocals as well as acoustic guitars and synthesizers. This was also the time when Behemoth finally got a chance to play first shows in their native country and finally tour around Europe (Pagan Triumph tour 1996) gaining stage experience as well as positive feedback from the crowds.
Then the time came to record third album, called "Pandemonic Incantations", which benefited from the precious aid of new members, especially the very talented human drummer machine- Inferno. It was some kind of "breakthrough moment" in Behemoth's short career. Reactions of the still growing fanbase and metal medias set the new quality standards for this polish band. Unfortunately, that awesome album suffered from the lack of interest worldwide caused by very weak promotion. The last opus released by Solistitium was strictly limited mini cd called "Bewitching The Pomerania" which is a highly estimated collectors item at this moment.
After another extensive and rewarding tour, in the fall of 1998 Behemoth signed a two albums deal with Italian Avantgarde Music. The first output of this new collaboration was the highly successful album "Satanica": Long lasting feedbacks covered "Satanica" with 'gold awards' even one year after its release date (the album was licensed in the USA in Summer 2000!). The label also secured the band with two very effective European tours in support to DEICIDE and another to SATYRICON. In that very successful period, the band had to go through some line up changes and problems with their ex- polish label, but at the end of the day, everything was back on the right tracks. The new members on the board were Novy (formerly known from Devilyn, right now in Vader, Dies Irae) who handled the bass duties and an inexperienced but very talented guitarist Havok. The new deal concerning the efforts on the polish territory Behemoth signed with highly respectful and undoubtedly professional Mystic company.
The next masterpiece is the logic follow-up to 'Satanica', although unpredictable in all its smallest details was Thelema6. Massive guitar parts and a most precise drumming, as well as influences from different sources, showed that Behemoth were there to offer something really varied and innovative once again. 'Thelema.6' is a complete album with characteristic fierce brutality and speed. It has also the most essential ingredient: creativity. Behemoth goes on searching for new dimensions both musically and lyrically. Splendid arrangements and technical invention on individual compositions made this album an ultimate one for Black/death metal genre.
Lyrically, once again Nergal and his partner in poetry Krzysztof Azarewicz offered something of a very sophisticated, intimate and profound obscurity.
'Thelema.6' has been massively supported in the press and media all over the world. The album was licensed for the United States area to Olympic rec. and for the first time in their career the album was officially out in Russia by Irond Rec., as well as in Brazil by Moira rec. New songs were also
already experienced live during European tour X-MASS FESTIVALS in December 2000 e.v., in support to MORBID ANGEL, THE CROWN, DYING FETUS, ENSLAVED to name a few. Behemoth invaded their eastern neighbors (Russia, Belarus, Latvia) in February 2001 e.v. being maniacally welcomed by the public.
Continuing the support for 'Thelema.6' Behemoth appeared on several prestigious live events like Wacken Open Air, With Full Force, Inferno Festival, Mystic Festival, Mind Over Matter to mention the most recognizable ones ...
Autumn and winter 2001 has been the most active period for the band so far. They started first headlining tour alongside with Carpathian Forest(Nor) and Khold (Nor) followed by festival tour in Poland (Thrash em all fest. with Vader and Krisiun among others), first headlining tour in Czech Rep. and Slovakia with Czech deathsters Hypnos. This marathon ended on two occasional shows on X MASS, where the band got extremely positive feedback.
In 2002 Nergal and Co. focused on writing new material for their 6th opus. Meantime, they did their second headlining tour in Russia, Belarus and Ukraine (February 2001) as well as "exotic" mini tour in Mexico (february 2001) along with acts like The Haunted and Witchery. There's also the brand new limited mini cd - "Antichristian Phenomenon" hit the stores shelves as the kind of gift for the most dedicated supporters.
Having the new songs completed Behemoth entered Hendrix Studio for the second time, and with help of their long time friend and sound engineer Arkadiusz Malczewski, produced album called "ZOS KIA CULTUS (Here and Beyond)".
"ZOS KIA CULTUS (Here and Beyond)" was recorded with almost double production budget and the band spent in the studio two months (almost 700 hours). The result is impressively massive and overwhelming for all those who thought that the band couldn't go any further since the yet excellent Thelema's production. Musicwise, 'ZOS KIA CULTUS' presents the very well known trademark of Behemoth, with hyper-tech guitar riffing by the axemen in crime Nergal-Havok, the glorious leather-baiting of Inferno and the precise bass patterns by Novy. This time Behemoth sound got APOCALYPTIC ! Adding ultra heavy mid-tempo parts here and there, bringing the listener to the deepest abyss of earth, Nergal and company prove again that they can go anywhere with their killing machine, leaving no survivors behind.
"ZOS KIA CULTUS" street date (November 2002) was shortly after followed by the amount of 36 shows all over Europe. Behemoth headlined different territories with support of such acts like Destroyer 666, Diabolic. In Poland they crushed the venues and spread the odour of sulphur with Darkane, Frontside, Crionics. They reached new fans from the south of Europe (Spain, Portugal, Italy) to the north (England, Scandinavia)...
In February 2003 the band did their first tour in Norway, playing in the most important cities as Bergen, Oslo and Stavanger.
On March 11th 2003 the American premiere was scheduled (Century Media Rec.), followed by the first Behemoth's appearance on the US continent. The tour started on the 9th of March at the New Jersey's Metalfest and continued with decent amount of shows across America and Canada with the company of Deicide, Revenge and Amon Amarth. Shortly after doing their first US tour the band was invited to join BLACKEST OF THE BLACK FESTIVALS by Glenn Danzig himself. Already legendary festival included such acts like DANZIG, SUPERJOINT RITUAL, NILE, OPETH.In the fall of 2003 Behemoth flew over to US to complete their third tour with SIX FEET UNDER and SKINLESS. The band did their Finnish debut appearance on famous TUSKA FESTIVAL along with MINISTRY, SOULFLY and more.
In the meantime due to some line up difficulties Nergal parted his ways with Havok and Novy, who decided to focus on activities with their own bands.
Behemoth has also signed a new deal for next two albums with Swedish REGAIN REC. (gaining i.e. DANZIG, DARK FUNERAL, MARDUK, DEFLESHED, FRONTSIDE on their roster) for European territory, CENTURY MEDIA (USA) and MYSTIC for Polish market. With the new line up consisting of Nergal on guitars and vocals, Inferno on drums and a new member Orion on bass and a session guitar player Seth, the band is currently writing songs for their newest record DEMIGOD which is scheduled for release in the fall 2004.
3 Cradle Of Filth
These are dark days. We live our lives cowering in the shadow of a future black and bleak, snatching all too brief glimpses of romance, hope and humanity, burdened by monochrome drudgery and the stupidity of mankind. The shit keeps hitting the fan and we're all getting splashed. That's why those of us who live for the moment need a soundtrack that provides both unhindered escapism and a heightened, tangible sense of reality's uplifting sensual power. That's why we need Cradle Of Filth more than ever. This is a band that caters for the filthy little secrets inside all of us, eliciting those exhilarating erotic and animal charges that make our time on this planet worth living. Prepare yourself for a hefty shot of 'Nymphetamine'…
Cradle Of Filth first burst into the choking glow of Hell's spotlight in the early 90s, when the UK metal scene was striving to produce a fitting response to the purposeful malevolence and youthful intensity of the Norwegian black metal scene, with its church burnings, death threats and random acts of extreme violence. Smarter, more ambitious and more fiendishly creative than any of their Norse contemporaries, Cradle emerged in 1991 from the bat-infested Suffolk shadows with a fully-formed and multi-faceted sound; a cunning amalgam of venomous black metal, high gothic drama and pure British steel that immediately elevated them above the malnourished aspirations of their peers and grabbed the attention of both the global metalhead legions and the controversy-starved music press in the UK. A raw and belligerent debut album, 1994's 'The Principle Of Evil Made Flesh', ensured that the band's now trademark bombast and arrogance were proclaimed loud and clear and within months Cradle Of Filth were firmly established as the UK metal scene's sharpest and bloodiest blades.
The subsequent decade brought untold success and a further consolidation of the band's inestimable sonic prowess, with a series of bold and audacious albums, a never-ending stream of dullard-baiting merchandise (including the infamous 'Jesus Is A Cunt' shirt) and a relentless procession of eye-popping live extravaganzas. 1996 saw the release of the hideous, blistering 'Vempire' and its extravagant, lascivious follow-up, 'Dusk & Her Embrace'. Two years later, 'Cruelty & The Beast' took Cradle's popularity to new heights, revealing a new sophistication and maturity in the band's songwriting and a greatly enhanced degree of musicianship that belied the never-ending litany of line-up changes that, until recently, have been a fixture in the Cradle story. The 'From The Cradle To Enslave' EP and the masterful, epic 'Midian' (2000) followed in close succession, reaping widespread plaudits and applause from all quarters. The new century was ushered in with 2001's 'Bitter Suites To Succubi', a stopgap compendium of old and new material. 'Live Bait For The Dead', the first official audio document of Cradle Of Filth's notoriously ferocious and hallucinatory live show appeared in 2002 and, as the band enjoyed a brief spell in major label land, the grotesque majesty of the orchestrally twisted 'Damnation And A Day' made 2003 their most victorious and creatively remarkable 12 months to date. Visual offerings came in the form of DVDs 'PanDaemonAeon' and 'Heavy Left-Handed and Candid'.
And so to Cradle Of Filth in 2004. Ten years on from the ominous eruption of their debut album, the UK's premier merchants of darkness have regrouped and found a new home at Roadrunner Records, a label with a suitably metallic past, present and future. After spending the majority of 2003 on the road, performing over 100 shows and hitting a rich vein of creative endeavour as a result, the current Cradle line-up - founder member/frontman Dani Filth, guitarists Paul Allender and James McKillbroy, keyboard maestro Martin Foul
"We weren't under any pressure to make this record and that's been the catalyst for us to create something really incredible," cackles a triumphant sounding Dani Filth. "The only way to top the last album was to go a completely different way, so it's a real mixture of styles this time. We haven't anchored ourselves to a concept. It was a real pleasure to write on a variety of different themes and the music is really diverse and sonically precise. The whole thing sounds perfect and very fucking heavy."
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